Translated from German
When I new solo album from Steve Senes in the finger was the, Cover made the first impression on me that I listen to cyberspace would feel moved in with me. The opener “The Swami” enticed me to read the title, I relaxed in the domestic furniture throw, to fall into meditation. But after the first fat guitar riffs, it tore me up and my ears were opened even more than usual
What Steve Senes on his new album “De-Evolution of Theory” delivers, is very worth listening to. During his career, Steve was in all popular genres at home and what he has to keep it reflected the twelve songs on the CD in resist.
I wait in vain for each piece on a singing performance, or the like, which is compensated by the outstanding lead guitar every time. After the first two strong heavy metal numbers I need a break, and from my soul as spoken, it gives me Senes promptly to my ears. With a steady transition, I am learning “Ruth” to know. A very likeable, with acoustic guitars incipient catchy tune, which increases during its 6:13 minutes to the final climax. To me that the top song of the CD, which continues in the following “high ball”, which moves consistently in the Heavy Metal-staccato.
If the first third of “De-Evolution of Theory,” the clear aim of the Heavy disciples the way to have metal, hunts from now on “Cop Show” a surprise the next. Steve Senes reaches deep into the available clothing and bring a radio Song of the 70 years show that to me back to “Saturday Night Fever” and the brass section of the synthesizer to come off perfectly, but I unfortunately does not in any way. After this brief interlude, we move again towards heavy metal and outstanding during the guitar solo makes again a satisfied grin wide on my face.
“High & Mighty” proves that Senes in Southern Rock and Prog familiar and brings an interesting alternation on this CD. Friends of Music of Molly Hatchet will it parallels quite and enjoy the piece with satisfaction, to immediately follow with “Colossus” another heavy blow to get in the neck. After a quiet break in the middle of “Colossus” takes over the bass the lead and leads the listener inevitably swinging foot movements.
Unfortunately, every medal and showing her backside in “Angel” has. In an acoustic version with supporting cello from the synthesizer, the piece comes across extremely boring, but thanks to modern technology push of a button, and we are again amid strong guitar riffs, providing us with the 4:40 minute piece “Jam Bomb “show where the rubber meets the road. A very good cracker evenly throughout that makes the last third of the CD hoping for more.
Who but no other music taste as extra hard to call its own, which, according to “Jam Bomb” off the player immediately, because the last two tracks have their own way again in itself. If however, as “Mare Tranquility” suggests the title, sounds like the reggae-style Latin American Carlos Santana added to the top.
I like the numbers very well, it loads but just before closing to relax and dream. Unfortunately, he is with 3:20 minutes too short to drink a colorful cocktail in a hammock, but at least he stood me up mentally for a short time in warm Karibikgefilde.
“The Afterglow” but brings me abruptly back to earth with a bump and also help here to report objectively. More than three minutes, I wonder what that what is presented to me here. Makes Steve Senes warm for his appearance here, or what the Gitarrengeklimpere for a deeper meaning? The song is unfortunately very boring and unnecessary in this otherwise diverse and worth listening instrumental CD.
Holger Ott
(Source: rocktimes.de)
